• Biography
  • Exhibitions
  • Drawing
  • Painting (1929-47)
  • Construction (1932-45)
  • Sculpture (1945-69)
  • Public Commission (1955-78)
  • Photogram (1932-41)
  • Lithography
  • Bibliography
  • Contact
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Theodore Roszak

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(1907-1981) First generation New York abstract expressionist artist

sculptor, painter, draughtsman

Theodore Roszak

  • Biography
  • Exhibitions
  • Drawing
  • Painting (1929-47)
  • Construction (1932-45)
  • Sculpture (1945-69)
  • Public Commission (1955-78)
  • Photogram (1932-41)
  • Lithography
  • Bibliography
  • Contact
1947-Raven.jpg

Raven, 1947

4 Variations:  1 Steel, 3 casted bronze

"In the Raven (1947) may be seen even more clearly the combination of evocative image, spatial movement, beauty of outline and textured surfaces which characterize so much of Roszak's sculpture. Here the shape implies not only the raven of Edgar Allan Poe, but the artist has also suggested a form of female symbol which he associates with the development of Poe's character. "

[H.H. Arnason, Theodore Roszak, The Walker Art Center, 1956]

 

"It was more or less motivated by the sensibility that Poe injects into the work, and I tried to see it as the brash kind of aggressiveness of that symbol and at the same time the psychological kind of symbolism of the female presence in this form, which had a very important role in the development of Poe's character."  [Theodore Roszak Interview with Elliott, 1956, p.14]

Raven, 1947

4 Variations:  1 Steel, 3 casted bronze

"In the Raven (1947) may be seen even more clearly the combination of evocative image, spatial movement, beauty of outline and textured surfaces which characterize so much of Roszak's sculpture. Here the shape implies not only the raven of Edgar Allan Poe, but the artist has also suggested a form of female symbol which he associates with the development of Poe's character. "

[H.H. Arnason, Theodore Roszak, The Walker Art Center, 1956]

 

"It was more or less motivated by the sensibility that Poe injects into the work, and I tried to see it as the brash kind of aggressiveness of that symbol and at the same time the psychological kind of symbolism of the female presence in this form, which had a very important role in the development of Poe's character."  [Theodore Roszak Interview with Elliott, 1956, p.14]

 Steel  18 x 24 inches  Collection: Theodore Roszak Estate and Private Collections

Steel

18 x 24 inches

Collection: Theodore Roszak Estate and Private Collections

Raven, 1947

Raven, 1947

Bronze and wood

15.25 x 25 x 10.25 in (39 x 64 x 26 cm) 

Location: Unknown

Study for Raven, 1946

Study for Raven, 1946

Pen and ink and wash on paper

4 15/16 × 6 15/16 in (12.5 × 17.6 cm)

Collection: Whitney Museum of American Art, NY. Gift of Mrs. Theodore Roszak (1979).

Unless specified all images

© Estate of Theodore Roszak / Licensed by VAGA at Artists Rights Society (ARS), NY.